Exploring Fear
By: Nikita Luedke
Enduring Big Idea: “Fear”
How fear manifests itself in your eyes
How past and current artists visualized/ showed fear in their work
Essential Questions:
What does “fear” mean to you?
Are there different types of fear? Internal, cultural, learned, phobias, etc.)
What are your biggest fears?
How does scale, color, texture, media, etc. impact what art conveys?
What artists worked with the concept of fear? How did they interpret it?
Objectives:
The students will…
Explore what fear means to them
Think critically about what that fear could look like
Investigate the work of other artists’ interpretations of fear
Construct a 3 dimensional sculpture
Lesson Vignette:
Anticipatory Set:
I will introduce the idea of fear and have an open discussion about what “fear” means, and what various types of fears there are. After that we will look at the art of Joshua Hoffine (a photographer whose work is all about childhood fears), Martin Mikolajczyk’s sculpture “fear”, Katherine Howard’s sculpture “friend of foe”, and the Roman sculpture “Laocoon and His Sons”, and talk about how all of these are representations (formally and conceptually) of the different types of fears. Finally, the students will be asked to journal about their fears or cultural fears they feel strongly about.
Body of Lesson:
Students will get in pairs and photograph each other (preferably after bringing in props), acting out the fear they have chosen to work with in a dramatic way. They will then be asked to create a sculpture using any material of their choice (a list of said materials will be provided so that this is not too overwhelming of a choice for them) to create a sculpture based off of their photograph and what it was trying to get across. There will be no scale limit/ requirement as I want this to be a critical part of their working process, to decide how the fear they are trying to show would manifest itself (multiple small pieces, one oversized piece, intermediate sized, etc.)
Closure:
Students will do a critique (“pow wow”) where they will show both their photos and their sculptures side by side. The critique will focus on the other students talking about what possible fears they see in each piece, followed by the artist explaining the pieces. Grading will be based on craftsmanship, completion, execution, and overall, how well it shows the fear they are working with (which will be decided by the class during the critique).
I think that your group is bold to choose fear. I would worry about breakdowns in the classroom( in real life). Combining photography and sculpture is a fun way to approach this big idea. Photography may not be as intimidating as sculpture could be so it will give you a good segway into sculpture, also having them use props in their photos is genius because know what objects you want to work with in sculpture is half the battle.
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